To-day Marks The 100th Anniversary Of The First Cruises From Florida

by thecruisepeople

s-s-evangeline-by-antonio-jacobsen1

The first Evangeline, built on the Clyde in 1912 and owned by the Plant Line, offered the first cruises from Florida in 1913

One hundred years ago to-day, on January 7, 1913, not long after the completion of Henry Flagler’s Oversea Railway from Miami across the Florida keys to Key West,  the 3,786-ton Evangeline sailed from Key West on her inaugural cruise from Florida. She is shown here in a fine portrait by prolific Danish-American maritime artist Antonio Jacobsen (1850-1921).  Evangeline operated a season of eight 11-night cruises, the first such programme to be operated from a Florida port. Priced from $110 per person, they were sold as “Winter Outings on Summer Seas“: –

The s.s. Evangeline will leave Key West direct for Colon, Panama, remain at that port two days, and sail direct to Kingston, Jamaica, remain at that port for two days, thence sail for Key West, Fla, via Havana, Cuba. Persons desiring to stop in Havana may do so at will, and return to Key West on any of the P&O ships with no extra charge.

These first Florida cruises were offered between January and April 1913 by the Jacksonville-based Peninsular & Occidental Steamship Company, a joint venture of the Plant Line and Henry Flagler. They were followed by seven similar 14-night cruises in the winter of 1914, but this time from Jacksonville, much closer to the main population centres, with fares from $125.  All these cruises included a visit to the Panama Canal, then still under construction, as well as calls at Kingston and Havana, but with the First World War, no cruises were offered in 1915.

Evangeline, first of the name, had been completed in October 1912 by the London & Glasgow Shipbuilding Company of Govan for the Canada Atlantic & Plant Steamship Co Ltd of Halifax. She was named for Longfellow’s epic poem of the same name, and like her predecessors cruised both in the north and in the south.  She succeeded a number of other ships owned by the Plant interests, which had routes both between Florida and the West Indies  and between Canada and New England.

s.s. Olivette

The Plant Line’s Olivette of 1887 carried the Young Winston to Havana in 1895

One of these, the 1,611-ton Olivette, had carried a 20-year-old Winston Churchill on the event of his first visit to Cuba. On November 19, 1895, Churchill sailed in her from Tampa to Havana, where he developed a particular taste for Cuban cigars.  Olivette had been built in 1887 by the famous William Cramp & Sons shipyard in Philadelphia as the second ship in a new service between Tampa, Key West and Havana. The first had been the 884-ton Mascotte of 1886, which features to-day on the crest of the City of Tampa. Starting in July 1892 Olivette joined the 1,738-ton Halifax in summer service between Boston, Halifax and Charlottetown PEI, and then Halifax started coming south by winter to assist Olivette.

s.s. Halifax

The Plant Line’s Halifax of 1888 at Charlottetown. She also ran experimental cruises to Jamaica

Halifax had been built by the London & Glasgow Shipbuilding Company in 1888 for the Boston, Halifax and Charlottetown run. Early in her career, in March 1891, she had taken “an excursion of 185 Americans from Boston” to Jamaica. She also operated a series of experimental cruises from Tampa to Nassau and Jamaica in the winter of 1893. These ships had been joined briefly in 1899 by the 5,018-ton La Grande Duchesse, a white elephant that ended up being sold in 1901 to the Savannah Line, but that’s another story.

Miami also had a Peninsular & Occidental ship to its name in the 1,741-ton Cramp-built Miami, introduced in 1898, but she operated essentially as a night boat, crossing to Nassau two or three times a week, depending on the season. Similarly, the 1,414-ton Prince Edward ran between Miami and Havana in 1901-03, as did the 1,619-ton City of Miami in 1921-23. Although new passenger services were started between Miami and Philadelphia in 1923 and  New York and Baltimore in 1924, it would be January 1927 before regular cruises began operating from Miami. Its first foreign cruise ship, Blue Star Line’s 15,501-ton Arandora Star, would arrive in February 1932 and in January 1935, the Miami-Nassau route would offer its first all-inclusive cruises. The rest, as they say, is history.

Oceania's Riviera

Oceania Cruises’ Riviera offers some of the finest itineraries through the islands of the West Indies

But what could one think of to-day to reach something close to the original golden era of cruising? One needn’t look far. Oceania Cruises’ 66,084-ton Riviera is now conducting a series of 10-14-night cruises from Miami to “Sun Splashed Isles,” most of which are sold out.  One of the best of these leaves Miami for 14 nights on March 3, for two days at sea, Aruba, Curacao, Bonaire, Grenada, Barbados, St Vincent, Antigua and St Barts before two more days at sea on the way back to Miami. No San Juan, no St Thomas, no Cozumel, no Labadee, what could be better?

Riviera will be back in the Caribbean in 2014 sailing a series of ten similar 10-14-day cruises, so ask now while they are available. Please call Gay Scruton at The Cruise People Ltd in London on 020 7723 2450 or e-mail us at cruise@cruisepeople.co.uk. or in North America call The Cruise People, Ltd. at 1.800.961.5536 or e-mail cruise@thecruisepeople.ca.

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Holland America Line Single-Handedly Extends St Lawrence Season

Originally published by our London office.

 

Holland America Line’s Maasdam, a regular St Lawrence trader, passing under the Quebec Bridge

For many decades, in the days before air conditioning, the St Lawrence cruise season ran all summer long. From 1919 until 1965, Canada Steamship Lines offered weekly Saguenay cruises from Montreal, with a season that ran from June to September, even during the war. From 1921 to 1961, the Clarke Steamship Company offered longer “Round the Gulf” and Labrador cruises in a season that ran from May through October. After these services closed, Cunard Line, the Baltic Shipping Company, Polish Ocean Lines, Moore-McCormack Lines and the Greek Line, among others, began offering week-long cruises from Montreal or 10/11-night cruises between New York and Montreal.

The history of St Lawrence cruising goes back a long way. Under the auspices of Thomas Cook, the Quebec Steamship Company first sent its 1,864-ton Orinoco out from New York in the summer of 1894 to visit Saint John NB, Halifax, Charlottetown, Gaspé, Tadoussac, the Saguenay River and Quebec. Indeed, by 1904, the Plant Line was advertising its Gulf of St Lawrence cruises from Boston as follows:

Six Days’ Cruise 1400 miles for $18. From Union Wharf, Boston, every Tuesday and Saturday, 12 noon for Halifax, Hawkesbury and Charlottetown. Good board. Cheapest rates. Best trout and salmon fishing, and shooting. Beautiful scenery. This doesn’t half tell it. Send stamp for booklet “Looking Eastward,” maps, etc.

A pioneer of St Lawrence cruising from 1908 until the First World War, the s.s. Trinidad cruised the St Lawrence by summer and sailed from New York to Bermuda in the winter.

The Quebec Steamship Company’s 2,162-ton Trinidad followed in 1908, the 300th Anniversary of the founding of Quebec. In 1919, this line was acquired by Britain’s Furness Withy & Co, who cruised first the 5,530-ton Fort Hamilton and and then the 7,785-ton Fort St George from New York to Quebec. Between the wars, the Anchor Line, Canadian Pacific, the Clyde Line, White Star Line and others all offered cruises between New York, the Maritimes, Quebec and Montreal. These cruises were nearly always offered in the high season in July and August, when it was hottest in the cities, as a getaway from the summer heat.

More recently, however, the so-called Canada New England brand has suffered in that even The Sunday Times now tells people who want to cruise the St Lawrence to go in the autumn. The question is, is this the propogation of a myth or is it simply because cruises only go there now in the autumn? This has been one of the biggest challenges facing St Lawrence and New England destinations in recent years, but things are slowly starting to change.

In recent years, Holland America has operated one ship, the 1,266-berth Maasdam, into Montreal between May and October. Starting this autumn, however, it brought a second ship to the St Lawrence, in the 1,348-berth Veendam, which it had previously been operating on the New York-Bermuda run. Next year, Holland America will operate Veendam on a full season of St Lawrence cruises, from May through October, turning at Quebec while Maasdam continues to turn at Montreal.

Maasdam departing Montreal on a cruise. On the left is the Sailors’ Memorial clocktower on Victoria Pier. Behind here is where the Canada Steamship Lines and Clarke Steamship Company cruise ships used to sail from

Moving Veendam to St Lawrence cruising is interesting in two ways. First, Holland America has already let it be known that it thinks it can make more money trading to Canada and New England than in what was once regarded as the lucrative Bermuda cruise market. Secondly, with the imposition of the North American Emission Control Area (ECA) this summer, Veendam is actually going against the flow.

When sailing to Bermuda she spent most of her time outside the 200-mile ECA limit but by sailing to Canada she will always be within it. This means she will have to burn more expensive distillate fuel in order to reduce sulphur emissions, something that Holland America has already estimated increased their fuel costs by 40% in the Alaska trade, which is also completely within the ECA, for an  extra $200,000 on a 7-night cruise.

Veendam will handle four embarkations and four disembarkations at Quebec, bringing more than 20,000 extra visitors a year over a three-year period. Under the new marketing agreement, Montreal will also see additional turnarounds from Maasdam in July and August. This programme, announced last month, is backed by $1.15 million in government funds, half from Tourism Quebec and half from Quebec City.

Included in Veendam’s new sailings will be four 14-night round trips from Quebec that will call at Charlottetown, Sydney, Halifax, Bar Harbor, Boston and the Saguenay. Equally, Maasdam will offer seven 14-night round trip cruises from Montreal calling at Quebec, Charlottetown, Sydney, Halifax, Bar Harbor and Boston. Both itineraries will also be available as one-way 7-night sectors between Montreal and Boston and Quebec and Boston.

As part of this agreement, the 450-berth Seabourn Sojourn, operated by Holland America affiliate Seabourn, will also operate three St. Lawrence turnaround cruises from Montreal that will visit seven ports in Quebec: Montreal, Quebec City, Trois Rivières, Saguenay, Baie Comeau, Gaspé and the Magdalen Islands.

Holland America has become a bit of a pioneer in the St Lawrence. It was the first cruise line to visit Sept Iles, on the St Lawrence North Shore, when it sent  Maasdam there in May 2009. This in itself was an earlier season start than usual for the St Lawrence, the call having been made during a positioning voyage from Fort Lauderdale to Montreal, something it will offer again in 2013. The new $20 million berth at Sept Iles now accepts cruise ships of up to 985 feet in length.

Compagnie du Ponant’s Le Boréal calls at the Magdalen Islands in the Gulf of St Lawrence

Fellow North Shore ports Baie Comeau to the west and Havre St Pierre to the east have also added cruise facilities and their proximity to Gaspé on the South Shore, Charlottetown in Prince Edward Island and Corner Brook in Newfoundland, offers a choice of half a dozen cruise ports in the Gulf of St Lawrence below Quebec. The Magdalen Islands, which has its own weekly cruise ferry from Montreal and is now also visited by Compagnie du Ponant and Crystal Cruises, adds a seventh.

Crystal Symphony seen here calling at Quebec, offers a round-trip Gulf of St Lawrence cruise from Montreal each September.

On September 30, Crystal Cruises operated  a 7-night round trip from Montreal with its 960-berth Crystal Symphony. Three of her four ports, Sept Iles, the Magdalen Islands and the French islands of St Pierre et Miquelon, were first time calls for Crystal. The fourth port, Quebec, has been rated as the most popular cruise port in North America. This Montreal round trip itinerary will be repeated on September 26, 2013. But in September 2014, the cruise will be offered by Crystal Serenity from Quebec. A larger ship than Symphony, the Serenity presumably can’t get under the Quebec Bridge to sail upriver to Montreal.

Royal Caribbean has also started operating turnaround cruises from Quebec with its 2,112-berth Brilliance of the Seas, with a typical 10-night cruise taking in Baie Comeau, Corner Brook, Halifax, Sydney, St Pierre et Miquelon and Charlottetown. Like the Serenity, the Brilliance is to tall to fit under the Quebec Bridge.

Other St Lawrence visitors this season have included the 3,114-berth Emerald Princess, 2,104-berth Eurodam, 264-berth Le Boréal, 2,476-berth Norwegian Dawn, the 2,620-berth Queen Mary 2, the 684-berth Regatta, 490-berth Seven Seas Navigator, 388-berth Silver Whisper and Veendam, nearly all in September and October. Not to mention Aida, Fred Olsen and Saga ships that cruise over from Europe.

The addition of  Veendam to the St Lawrence trade is good news for Quebec City, which in 2013 will see five Holland America calls each month from May to August and seven in June. The only other ship coming nearby in the summer months is Oceania’s 1,258-berth Marina, which will make an unusual June 1 call at Quebec while on a 16-night cruise from New York to Southampton. The other ships will all wait until September (21 calls) and October (27 calls), when they come flocking in for “the leaves.”

For more details on Cruising the Gulf of St Lawrence please call The Cruise People Ltd in London on 020 7723 2450 or e-mail cruise@cruisepeople.co.uk and in Canada at 1-800-961-5536 or e-mail cruise@thecruisepeople.ca

Vancouver To Gain While Victoria Loses

by Kevin Griffin writing in cybercruises.com

Island Princess in Vancouver

The Port of Vancouver has concluded its 2012 Alaska cruise season, posting a modest increase in passengers to 667,000 compared to 663,000 in 2011. Between May and October, Vancouver’s two cruise terminals welcomed 28 different ships on 191 calls.

During that season, sixty ships connected to the port’s shore power facilities, reducing greenhouse gas emissions by a claimed 2,266 tons.

For the 2013 cruise season, Vancouver anticipates an increase of more than 20%, with more than 820,000 passengers. The port is looking forward to the return of four vessels in 2013: the 1,750-berth Disney Wonder, 2,002-berth Norwegian Sun, Oceania’s 684-berth Regatta and Holland America’s 1,380-berth Amsterdam. Meanwhile, Vancouver’s arch-rival Seattle saw a record 934,000 passengers pass through its cruise terminals in 2012.

Sapphire Princess in Seattle

Across the Straits of Georgia, on Vancouver Island, Victoria is forecasting fewer cruise ships next year, expecting.211 ships carrying 466,000 passengers.
That’s thirteen fewer calls than in 2012 and a decline of about 10,000 passengers.

Victoria handled more than 500,000 passengers in 2012. and if more than double occupancy is achieved next year the actual number of cruise passengers could reach 490,000.  The drop in calls will occur because  Disney Wonder will make Vancouver her home port in 2013, after having operated out of Seattle in 2012.

Most Seattle departures use Victoria rather than Vancouver as their required foreign port of call to comply to US coasting regulations.

Oceania’s Newest Ship in Caribbean

Oceania Cruises

Oceania Cruises (Photo credit: Wikipedia)

Riviera, Oceania Cruises’ newest ship in the upper-premium cruise segment, arrives at Miami on November 29 for her inaugural winter season. Riviera will sail five Caribbean voyages over 12 departure dates featuring ports of calls from the exotic Eastern to the deep Southern Caribbean.

Guests can enjoy the beaches, natural wonders and the diverse cultures of the Caribbean while foodies can experience the line’s new Culinary Discovery Tours exploring the local food offerings of the islands side-by-side with an expert chef.  

Riviera comes to the U.S. fresh from her inaugural European season, which kicked off in May after a gala christening ceremony in Barcelona. The ship has received much acclaim from guests and travel agents.

“Since her introduction, Riviera has been praised for her beautiful design, exceptional cuisine and outstanding service, consistently surpassing expectations,” said Kunal S. Kamlani, Oceania Cruises’ president. “With Miami as Riviera’s home port this winter, our guests will have the opportunity to enjoy this truly outstanding ship while experiencing all that the Caribbean has to offer.”

Travellers can choose from five different itineraries over 12 departure dates:

  • Idyllic Isles – 11 days roundtrip from Miami, visiting Philipsburg, St. Maarten (new port for Oceania Cruises); St. John’s, Antigua; Bridgetown, Barbados; Castries, Saint Lucia; Gustavia, St. Barts; and San Juan, Puerto Rico. Departure: Nov 29.

  • Mayan Mystique – 10 days roundtrip from Miami. Ports include George Town, Grand Cayman; Cozumel, Mexico; Belize City, Belize; Santo Tomas, Guatemala; Roatan, Honduras; Costa Maya, Mexico; and Key West, Florida. Departures: Dec 10, Jan 13, Feb 22, Mar 18.

  • Island Holiday – 14 days roundtrip from Miami, calling at Charlestown, Nevis; St. John’s, Antigua; Kingstown, St. Vincent (new port for Oceania Cruises); Bridgetown, Barbados; St. George’s, Grenada; Gustavia, St. Barts; Virgin Gorda, British Virgin Islands; Philipsburg, St. Maarten; and San Juan, Puerto Rico. Departure: Dec 20.

On this sailing, Riviera will celebrate the holidays with traditional décor, festive menus and themed entertainment with special guest performers.

  • Caribbean Hideaways – 10 days roundtrip from Miami, with visits to Tortola, British Virgin Islands; St. John’s, Antigua; Bridgetown, Barbados; Castries, Saint Lucia; and Gustavia, St. Barts. Departures: Jan 3, Jan 23, Feb 2, Feb 12, Mar 28.

  • Ultimate Southern Caribbean – 14 days roundtrip from Miami. Ports include Oranjestad, Aruba; Willemstad, Curacao; St. George’s, Grenada; Bridgetown, Barbados; Kingstown, St. Vincent; Castries, Saint Lucia; St. John’s, Antigua; and Gustavia, St. Barts. Departure: Mar 4.

Plenty of Time Ashore to Discover the Caribbean

With evening departures from many ports, passengers have ample time ashore to explore majestic Mayan ruins, relax on pristine beaches or admire the colourful Dutch colonial architecture in Aruba, among many other options. In fact, Oceania has added numerous new shore excursions to its already robust Caribbean schedule as part of its Pillars of Distinction initiative.

For example, in Philipsburg, St. Maarten, a new port of call for Oceania Cruises, motorcycle enthusiasts can sign up for the Harley in Paradise tour for a memorable island ride. Oceania Cruises’ Artist Loft tours, designed to showcase the immense creativity and natural beauty of a port through art, will be offered in Barbados (Barbados Photo Adventure), Saint Lucia (Saint Lucia for Art Lovers) and Antigua (The Art of Antigua).

Food lovers can partake in Oceania Cruises’ popular Culinary Discovery Tours and explore the gastronomic landscape of several Caribbean ports. These tours take culinary enrichment to a new level combining hands-on classroom learning in the Bon Appétit Culinary Center with visits to local food markets alongside the ship’s chefs. In Tortola, for example, the Culinary Discovery Tour includes a visit to Good Moon Farm, an organic oasis of plants and crops where the planting is orchestrated around the lunar cycle. 

The 1,250-passenger Riviera is purpose-built for epicureans with six open-seating, gourmet restaurants – including a French bistro by Master Chef Jacques Pépin. Interior design highlights include a Lalique-designed grand staircase, elegant public rooms, spacious accommodations and Owner’s Suites furnished exclusively in Ralph Lauren Home.

Guests who book by Sept. 30, will receive two-for-one cruise fares and free air transportation and bonus savings of up to $3,000 per stateroom.

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How Cruise Sales Differ Across the Atlantic

Image of the house flag of Carnival Cruise Lin...

Image of the house flag of Carnival Cruise Line. This flag is also used within the corporate logo of Carnival Corporation & PLC (Photo credit: Wikipedia)

by Kevin Griffin – The Cruise People, Ltd writing in cybercruises.com

Cruise selling policies differ on both sides of the Atlantic, the most obvious contrast being that in North America deposits remain fully refundable up to final payment date, while in Europe’s largest cruise market, the UK, one forfeits their deposit if they cancel. But even in Europe practices differ.

In Germany, for example, Europe’s second largest cruise market (and soon to be largest), deposits are usually refundable up until just a month before sailing. But in the meantime, a couple of other notable differences have sprung up in recent times, first on who can buy a cruise where and second on agents remuneration.

On the first subject, P&O has long been known for prohibiting cross-border cruise sales. Three decades ago, the author was quoted a fare by P&O Los Angeles on a cruise from Sydney that was 33% higher than the same cruise quoted in Australia. A similar complaint was made to UK cruise magazine “World of Cruising” in more recent times when Swiss clients were told they had to book a Princess cruise through Swiss agent Kuoni at a higher fare than offered in Florida.

Through its association with P&O, this restriction has now also spread to Cunard, which no longer allows cross-border bookings and whose Transatlantic sailings can be as much as 25% more expensive in the UK. But even here there is no consistency, as sometimes UK fares for the same sailing are lower than the North American fares.

Meanwhile, this prohibition has spread beyond P&O. To cite an example, Vacations to Go, a US agent with a UK phone number, states on its web site that “the following cruise lines now prohibit all US travel agencies from selling cruises to citizens of countries other than the US and Canada, unless they have a residence in the US or Canada.
This is not a Vacations To Go policy or a US government policy, it is a corporate policy instituted by each of these cruise lines.”

It then goes on to name “Holland America, Oceania Cruises, Princess, Royal Caribbean and Star Clippers.”

More recently, appointed as US agent for P&O Cruises, its site adds for good order that “residents of the UK may not book P&O Cruises through Vacations To Go.” Missing from the list is one line that used to be there, namely Costa.

In an age of globalisation this practice of cruise lines prohibiting cross-border sales is in effect a restraint of trade and we wonder how legal it is. Apple once tried something similar with its iTunes pricing within Europe, restricting buyers to making purchases in their own country, and thus forcing some to pay higher prices. In 2004 the UK Office of Fair Trading referred Apple to the European Commission for violation of EU free-trade legislation and in 2007 Apple was threatened with a £330 million fine.

In the end Apple had to agree to offering common pricing throughout Europe. In a single market such as Europe customers should be free to purchase goods and services from any member state, but this still appears to be not the case with many cruise lines.

On another subject, P&O, Princess and Cunard last year announced that they would cut agents’ commissions in the UK to 5% in an attempt to try to stop them from rebating, a process whereby agents would pass on part of their commission to the client in order to “buy” their business.

Meanwhile agents selling the same Princess and Cunard cruises in North America (and elsewhere) are still paid on a scale of 10-15%. One of the reasons P&O, Princess and Cunard UK did this was apparently a fear of being accused of resale price maintenance. This is a practice whereby a manufacturer and its distributors agree on pricing, a practice that is outlawed in the UK. But whether a service is a manufactured good and an agent is a distributor are moot points.

Meanwhile, this spring, Fred. Olsen Cruise Lines’ adopted a different approach, which is to offer 10% agency commission and threatening to stop sell agents who rebate from their commission. Those who did not rebate would be rewarded by a 5% bonus at the end of the year.

This in effect would punish agents who rebate, as opposed to punishing those who do not rebate by cutting their income, which was the case with P&O, Princess and Cunard UK. The Fred. Olsen approach shows strength and is a refreshing change and it will be interesting to see where this all goes. Clearly at 5%, P&O, Princess and Cunard UK are well below the usual cruise sales norm of 10%.

Back in North America, on August 1 Carnival Cruise Lines will further toughen its own anti-rebating stance. From that date, agents may only offer clients non-cash value-add-ons equivalent to a maximum of $25 per person.

Non-cash equivalents means bags, hats, beach towels, memory books, sunglasses or Carnival favours delivered on board, and on-board credits will no longer be allowed. Carnival first introduced level pricing in 2003, then an advertised price policy in 2005.

Last week, Carnival president Gerry Cahill visited London in anticipation of the Carnival Magic sailing from Dover next year. Illustrating the dichotomy on commiassion policies within the Carnival group, Cahill told the UK’s Travel Trade Gazette “we have our own commission structures, ranging from 10-15%. We want to make sure that we’re different to our sister brands as sensitively as we can. Each brand makes its own decisions.”

P&O’s commission cuts seem to have had some effect, however. Cahill’s ultimate boss, Carnival Corp & PLC ceo Micky Arison seemed to be supporting P&O’s stance when he told the UK’s Travel Weekly last week that “The reality is that the ones who were the biggest screamers were the biggest discounters. They lost their competitive advantage as they could no longer give their commission away and found they couldn’t make a living.”
Meanwhile, there was a lot of collateral damage among agents who were not rebating.

Royal Caribbean has also been tough on North American agents who rebate and at one stage even put a stop-sell on Vancouver-based CruiseShipCenters, now Expedia CruiseShipCenters. But Royal Caribbean and Celebrity Cruises also continue to offer normal commission levels in the UK market, leaving P&O, Princess and Cunard somewhat isolated.

Indeed, it was Royal Caribbean Cruises’ ceo Richard Fain that told a London audience in April that the agency distribution system “is not broken” and that Royal Caribbean would take “no precipitate action” on commission levels.

How different things are on the two sides of the Atlantic!

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Ship Review – Oceania’s MARINA

by Gordon Turner

 marina photograph by Gordon Turner

Civitavecchia to Miami

24 November to 10 December 2011

One of my favourite voyages is an Atlantic crossing that has an itinerary with maybe three or four ports of call and seven to ten days out at sea. Such cruises usually take place in late autumn and early spring as ships of various lines make the transition between the Mediterranean and North America.

I prefer the fall cruises. Why? There are several reasons. Because the ships sail westward, they gain an hour daily for five or six days while moving between time zones. More importantly, at least for me, are the fares. They are considerably lower than, for example, a Mediterranean or Baltic summer cruise of comparable duration where the ship calls at a different port almost every day. Also, I generally travel alone, and the supplement for single occupancy of a cabin is lower. And much as I enjoy the ports of call, I also like those days at sea. People have asked me if five or more consecutive days at sea could become a bit boring, and my answer is a resounding “No.” Keep reading and you will learn why.

After a discussion with John Lang of The Cruise People, I booked the Marina cruise well in advance in order to obtain a good rate for my cabin. What follows are one person’s impressions of one particular cruise.

Although advertised as a Rome to Miami cruise, the port of embarkation was actually Civitavecchia, almost an hour by coach from Rome’s Fiumicino international airport, and even longer if you spend a few days in Rome itself prior to the cruise and depart from a centrally located hotel in the city. The “meet-and-greet” service at the airport worked efficiently. Checking-in at Civitavecchia’s passenger terminal took maybe five minutes, four of which consisted of waiting in line and one in dealing with the formalities of embarkation. Once aboard, I was escorted to my stateroom by a cabin steward. 

Marina was completed in 2011 at Fincantieri’s Sestri Ponente shipyard just outside Genoa and is registered at Majuro in the Marshall Islands. Her gross tonnage is 66,084. She is 239 metres (785 feet) long and has a beam of 32 metres (106 feet). She has a cruising speed of 20 knots. Passenger capacity is 1,258. Officers are European. The master, officers and crew are just under 800 in number. Cruise ships are often listed under several classifications, including luxury, premium, contemporary (mainstream) and economical, with variations within each group. It is all subjective, of course, but Oceania claims that its ships fall into the upper premium category, just slightly below luxury. After spending 16 days aboard, I think that is an accurate assessment. Incidentally, on my cruise we had 1,189 passengers, mostly Americans, but also 304 Canadians. Although close to full, the ship never felt crowded.

As for Marina’s many amenities, some of which are described below, at times a cruise ship can be defined, at least in part, by what she does not have. Marina does not have a ship’s photographer and she does not offer “art” auctions. The great majority of passengers were in the 50+ range.

Some people dismiss cruise-ship cabins as merely places to sleep but with recent advances in cabin design, such persons have become fewer.  I was familiar with typical Oceania cabins from my earlier voyages in Regatta and Insignia. But these were smaller ships that the company had bought from previous owners, whereas Marina was designed from the keel up to meet Oceania’s specifications, and that included her suites and staterooms. I occupied Cabin 8084, listed as Category B1. Statistically, it measured 242 square feet including the bathroom and it had a teak-decked veranda of 40 square feet.

The stateroom’s queen-size bed was uncommonly comfortable. It took up much of my stateroom, but there still was sufficient space for a small sofa, a coffee table, a vanity desk with a chair and a large mirror, as well as closet and drawer space. There was also a safe and a refrigerated mini-bar. There was no additional cost for bottled water and soft drinks. Lighting was good and could be controlled from either bedside. The veranda had two wicker chairs and a small table.

The bathroom was particularly stylish. It was marble and granite clad. What was unusual for a stateroom that was not in the most expensive accommodation category was that its bathroom had a separate shower and tub. The shower’s size suited me perfectly, but people built on more generous lines could find it a bit constricting. However, there was also a hand-held shower attachment in the tub. Hot water was in plentiful supply, as were thick towels.

 Marina provided laundry service, although prices seemed on the high side (for example, $5.50 for a sports shirt). Each passenger deck also had a coin-operated launderette, complete with washers, dryers, an iron and an ironing table.

After a day at sea, Marina reached Barcelona, a 12-hour stop. 

I did not take any of the shore excursions advertised for our day in Barcelona although I took advantage of the shuttle bus in the afternoon. Barcelona is a city with many attractions for the visitor and always seems to be more vibrant than many Mediterranean cities.

On that day I had a late breakfast in the Terrace Café on Deck 12. The mention of food reminds me that I should devote several paragraphs to this always fascinating topic. Oceania Cruises’ advertising uses the phrase “The finest cuisine at sea.” This is a bold claim, and presumably it could be challenged by some of the luxury lines that are also justly famed for their cuisine. Nevertheless, aboard Marina and the other Oceania ships cuisine plays a major role. In fact, I have heard that it is an important reason for passengers to sail exclusively with Oceania.

For the real cooking enthusiasts Marina offered courses in the Bon Appétit Culinary Center, a custom-designed hands-on cooking school with fully equipped work stations. Sessions were usually held twice daily when the ship was at sea. Dishes included Classic Ratatouille, Chicken Piccata, and Scallops with Cauliflower, Dried Cherries and Capers. Each session cost US$69. They were invariably well attended.

Marina’s Grand Dining Room is a large and notably handsome room whose central chandelier is surely one of the finest ever installed in a ship. One of the features that attracted me to Oceania ships is that in the main dining room, I could eat when I liked, where I liked and with whom I liked. Almost invariably I asked for a table for one person and I always received it. The Grand Dining Room’s tables seat two, four and six. I did not make an actual count but my impression was that the room had more tables for two than was customary in ships of similar size. Service was always of a high standard. The dining room staff’s identification badges showed that their homelands included the Philippines, Indonesia, India, Poland, Russia, Croatia, Romania, Honduras and South Africa. What they had in common was that they were well trained, courteous and pleasant. The food was remarkably good and the service set a high standard including the niceties that separate the acceptable from the superior. The dress code for the Grand Dining Room and throughout the ship is described as country-club casual, the definition varying according to time of day and location. For example, at the outdoor Waves Grill, close to the pool, swimwear with a cover-up was quite suitable.

It is almost de rigueur nowadays for cruise ships to have specialised dining rooms in addition to the large main room. Marina is no exception. While the Grand Dining Room, Terrace Café and possibly the Waves Grill constitute what could be called the traditional locations, there are four smaller rooms each accommodating about 100 people, and each with a distinctive ambience and its own particular menu.  With Oceania Cruises there is no extra fee. The four rooms are open for dinner only and require reservations. I dined twice at Jacques, the restaurant named for Jacques Pépin, and it will not come as a surprise to hear that the food was predominantly French on its comprehensive menu. Across the way, so to speak, was Red Ginger, described as offering authentic Asian cuisine in a bold, contemporary setting. On my one dinner there I experienced tastes that were totally new to my palate and all the more enjoyable because of that. While these two restaurants were on Deck 5, aft on Dec 12 were Toscana and the Polo Grill. The former offered Tuscan cuisine, while the latter was a steak and seafood room. I ate twice at Toscana and once at the Polo Grill and, without trying to play favourites, Toscana took first place but only by a very narrow margin.

Two other dining venues, each quite small, and which do require a financial outlay, are La Réserve and Privée, the first named noted for its wine and food pairings, and the second for small private dinners, with its menu being arranged in consultation with one of Marina’s principal chefs.

Before leaving the topic of food, it simply has to be mentioned that at 4:00 p.m. in the Horizons Lounge, forward on Deck 15, afternoon tea is served. This has become one of the most acclaimed features across the Oceania fleet. The lounge itself has full-length windows on three sides and while the ship is at sea is one of the most enjoyable rooms. While the word “elegant” is sometimes overused, there is no doubt in my mind that it definitely applies to afternoon tea aboard Marina. White-gloved waiters and waitresses circulate, offering the guests a selection of maybe seven or eight different kinds of tea, followed by a tray of dainty sandwiches and a trolley displaying cookies, tarts and other goodies that are impossible to resist. And while all this is happening a string quartet plays light classical pieces.

The above paragraphs rarely mention the actual dishes I found on Marina’s extensive menus in the several dining venues. It would take far too long to list them so I suggest a visit to the website www.oceaniacruises.com which contains sample menus for all the dining locations. Wine lists also appear on the website. The choice is extensive, although prices are not exactly cheap.

As a final word on food, even though the specialty restaurants are exceptionally good, the Grand Dining Room is in not in any way inferior. In fact, if I had been required to take all my meals there, I would have disembarked with the happiest of memories of the cuisine.

If anyone reading this has taken a cruise in Oceania’s smaller ships they will immediately recognize that in many ways Marina is an enlarged version of her predecessors. For instance, Horizons Lounge is on a top deck forward and has huge windows on three sides. Directly below are the Spa and Fitness Center. Aft, and one further deck below is the Terrace Café with a large seating capacity indoors and a fairly sizeable seating capability outdoors.

Throughout Marina it becomes obvious that a very considerable amount of money has been spent on the ship’s décor and amenities. Paintings and sculpture fall mostly into the category of abstract art, but there are also some fine paintings of nautical scenes as well as models of ships of bygone days. Some of these models are in Marina’s Library, a cosy refuge with 2,000 books and comfortable armchairs. The nearby coffee bar, Baristas, provides espressos, lattes and other specialty coffees, all without charge. Around the corner is the Computer Centre.

The ship has two elevator towers, one containing four elevators and the other two, but anyone who uses the staircases cannot remain unaware of the fine paintings that hang on each landing. I like ships to express their nautical origins wherever possible. Thus when I used the elevators, I got slightly annoyed when a taped public-address-system voice said, “This is the eighth floor.” Floor? Why not “Deck”? Similarly, the Purser’s Office has a sign that reads Reception. On a positive note, I found that the Purser’s personnel were always ready to be helpful.

Forward on Deck 5 is the Marina Lounge, a large room that was busy morning, afternoon and evening on my cruise. The seats are arranged theatre style, but with sufficient space between rows so that occupants can let people pass without having to stand and tip up their seats. Midships on the same deck is the two-deck atrium. Adjacent are three boutiques with high-quality merchandise and corresponding price tags. One deck up are the Casino, the Martini Bar and the Grand Bar. There is no persuasion, here or anywhere else in the ship, to buy alcoholic drinks.

After our call at Barcelona, Marina’s schedule read day at sea, day in port at Tangier (Morocco), day at sea, day in port at Funchal (Madeira), five consecutive days at sea, a 24-hour stay at the Naval Dockyard in Bermuda, two more days at sea, then arrival at Miami.

Earlier in this report I said that days at sea were never boring, Here are items taken from the Day 10 programme, when Marina was somewhere between Madeira and Bermuda.

9:00 am Digital camera workshop (so popular that most sessions had to be moved from the Artist Loft to the Marina Lounge).

9.00 am. Napkin folding with Social Hostess.

10.00 am Enrichment lecture with Jerry Kindall (Mr. Kindall, who played for nine years in baseball’s major leagues, puts his baseball talks into a social context. You don’t need to be a sports fan to enjoy his presentations)

10.00 am Beginners’ Bridge Lesson

10.00 am Bingo

10:30 am T-shirt painting in the Artist Loft

11.00 am Officers compete against passengers in Shuffleboard, Ping Pong, Croquet, etc.

11.00 am Canyon Ranch Spa Seminar

11.00 am Intermediate Bridge Lesson

1.45 pm Blackjack Tournament

2:00 pm Wine Tasting (events that include alcoholic beverages incur a fee)

2.00 pm Canyon Ranch Spa seminar on hair care

2.00 pm Self Portraits by Artist in Residence

2.00 pm Duplicate and Social Bridge

2.00 pm Brandy Tasting

2.15 pm Golf on the Ship’s Putting Green

2.30 pm Learning the Spanish Language

2.45 pm Shuffleboard Tournament

4.00 pm Afternoon tea with music by the Tatra String Quartet

4.00 pm Enrichment lecture “Exploring the Ocean World” with Dr. Stewart Nelson, an oceanographer and highly accomplished speaker on oceans, airships and ports of call

5.15 pm Marina’s eight-piece band plays for listening and dancing in the Horizons Lounge

5.15 pm Team Trivia afternoon session

5.30 pm Cocktail Bar pianist plays (and also three times later in the evening)

6.00 pm The Celebration Band plays in Horizons Lounge (and also three times later in the evening)

6.00 pm The Tatra String quartet plays in the Grand Bar (and also three times later the evening)

8.30 pm Team Trivia evening session

9.00 pm Blackjack Tournament

9.00 pm Movie under the stars on Pool Deck “Pirates of the Caribbean” (weather permitting)

11.15 pm Late-Night Melodies by Celebration Band in Horizons Lounge

I attended some of the daily events, but certainly not all. Marina has stabilizers to reduce rolling, although they were never required on my cruise. Following my morning walk, I looked into the well-equipped Fitness Center occasionally but the treadmills and other apparatus were generally in use by the more energetic passengers.

Entertainment in the Marina Lounge varied from evening to evening. For instance, we heard an accomplished guitar player on two evenings. On two other evenings there was a magician assisted by a female Mongolian contortionist. Several evenings an eight-member song-and-dance group entertained us Las Vegas-style with popular music from past decades. No two programmes were alike and the audience, self included, enjoyed the presentations.

Over the years I have been a passenger on many cruise ships. Some have a low introductory fare, but once aboard the add-ons quickly begin to reveal themselves and before the cruise ends the total cost has increased considerably. With some lines, such as Oceania, the fare includes many items that would otherwise be charged separately. As a very general rule, anything that involves alcoholic drinks requires payment (except for the captain’s reception). Anything that provides a personal service, such as spa treatment, also calls for payment. A gratuity fee of $12.50 per passenger per day is added automatically to guests’ accounts, although the amount can be altered at the guests’ request. To sort out the intricacies of the actual cost of a cruise, the service of an experienced travel agent who specializes in cruises is essential.

Eventually we reached Miami where the cruise ended. While Marina was somewhere in mid-Atlantic, I dropped into an office on Deck 6 and made a booking for November 2012, Barcelona to Miami, a voyage similar to the one I was on. No, it was not for a Marina cruise but for one in her sister ship Riviera, still under construction and due to enter service in spring 2012.

Oceania Cruises at The Cruise People, Ltd.

 

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Oceania Cruises’ Riviera Confirms Positioning in the Market

by Kevin Griffin writing for cybercruises.com

Oceania Cruises’ Riviera, a sister ship of  Marina delivered in January 2011, was christened in Barcelona on Friday. At 66,084 tons, she would have been one of the largest in the world two decades ago, but is now just a footnote in an age where cruise ships have exceeded 225,000 tons and carry more than 6,000 passengers. In fact, more than 100 cruise ships exceed the size of these two sisters.

But those big ships, with all their children’s attractions (and we know that some adults are just grown up children), are much more like fun fairs than the cruise we used to know.

Riviera and her sister ship, however,are built on a more human scale, retaining their attachment to the sea. They are not like the big ships, travelling engineering marvels. But they are sophisticated.

As in days of yore, these ships exude quality on board and offer a quality cruising experience, reminiscent of the type of thing New Yorkers used to experience in Home Lines’ Oceanic, the first large purpose-built cruise ship, and Holland America Line’s once Transatlantic liner Rotterdam in the 1960s and 70s, and Brits knew with P&O’s traditional Canberra and Oriana, while both sides shared Cunard Line’s Caronia.

Riviera and Marina are very similar in dimensions if not in tonnage to these well-remembered ships, much as if this style of ship has returned after half a century:

Oceania Cruises has furthermore pulled a brilliant coup by positioning their ships as upper premium rather than utra-luxury. This means that it is easier to exceed passengers’ expectations when the ships’ position in the market is understated.

This formula has won the day for Oceania and the proof of it is in the 2012 issue of the Berlitz Complete Guide to Cruising & Cruise Ships. Not only has Marina, the first of the twins, scored highly, achieving a full five stars and 1701 points out of 2000, but she has eclipsed her own supposedly more upmarket stablemates over at Regent Seven Seas Cruises, the all-inclusive arm of Prestige Cruise Holdings.

Ironically, I’m sure this is not what Prestige intended but the three Regent ships have been given only four-plus stars and an average of 1633 points out of 2000.

The reviews for both of the new ships have been consistently good, with the only criticism being that unlike the traditional cruise ships named above the new sisters have no walkaround promenade deck. However, the new Oceania sisters measure an impressive 52.8 tons per passenger, offering about a third more space per passenger compared to the average of about 40 on most contemporary ships to-day.

Riviera will offer a total of twenty Mediterranean cruises before heading for her new home port of Miami in November. Meanwhile, with two new ships now delivered to Oceania, it was reported that the top executives from both Prestige Cruise Holdings and the Italian shipbuilders Fincantieri who built the latest pair, were back on board Riviera negotiating the next newbuilding for Regent Seven Seas.

Miami Lands Yet Another Cruise Line

by Kevin Griffin of The Cruise People writing in cybercruises.com

MSC Cruises will change its Florida seasonal base port from Fort Lauderdale to Miami for the cruise season starting in late 2013. The Italian-based line will operate its newest ship, the 3,500-berth MSC Divina, from Miami between November 2013 and May 2014, although MSC Poesia will still sail from Port Everglades in 2012-13.

In announcing the move last week, MSC Cruises’ US president Rick Sasso also intimated that another MSC ship could well follow and that having a year-round MSC ship in North America was not entirely out of the question.  MSC Divina will become the largest ship in the MSC Cruises fleet when she delivers in Marseilles on May 26, featuring a separate 69-suite first-class zone called The Yacht Club, with exclusive forward views from its lounge atop the bridge.

This is the second such announcement in two weeks as earlier this month Norwegian Cruise Line revealed that it would be basing its own new 4,000-berth Norwegian Getaway at Miami year-round from her introduction in 2014. When she arrived, the 144,000-ton ship will become the largest ship to use Miami as her home port. Sister ship Norwegian Breakaway will be based at New York year-round from spring 2013.

Since losing Oasis and Allure of the Seas to Fort Lauderdale in 2009, Miami has been striving hard to make up for the loss of the world’s largest cruise ships. Even so, it has handled more than four million passengers for four years in a row now, a number that is expected to reach four and a half million by 2014.

Royal Caribbean’s choice of Fort Lauderdale as base port for its Oasis and Allure of the Seas ended the decades-old rule that Miami, with its 3-, 4- and 7-day cruises, was mass market while Fort Lauderdale, with its Round-the-World and Transatlantic liners, was upmarket. And the recent changes have only served to change this even more.

Three brand-new ships are set to start sailing from Miami later this year – the 3,030-berth Celebrity Reflection and 3,690-berth Carnival Breeze, operated by lines that are indicated in their names (echoing the days when tankers were all called Esso this or Texaco that), as well as Oceania Cruises’ new 1,259-berth Riviera. All three will sail from Miami this winter, and with Carnival Breeze becoming the largest ship to be based in Miami, at least until Norwegian Getaway arrives in 2014.

Also new to Miami will be Regent Seven Seas, which will bring two ships to the port next winter. Regent previously sailed from Port Everglades, but they will now share a dedicated Miami terminal with stable mates Oceania Cruises. Disney Cruise Line will also base its 1,750-berth Disney Wonder in Miami for the first time from December through May 2013, operating on 4- and 5-night itineraries. And Crystal and Cunard made the move to Miami some time ago now.

One thing going in Miami’s favour of course is that all of Carnival Cruise Lines, Norwegian Cruise Line and Royal Caribbean Cruises are based there, as are Prestige Cruises’ Oceania and Regent brands.

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Deutsch: Flusskreuzfahrtschiff Prinses Juliana...

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Cruise Line Tag Lines Over The Years

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by Kevin Griffin of our London office writing in cybercruises.com

In the words of a press release from Royal Caribbean International last week, “Royal Caribbean International to-day launched a new brand campaign that embodies the most inspirational element at the very core of the global cruise line’s offering … the sea!”
And what is this wonderful tag line? Why, it’s “The Sea is Calling. Answer it Royally.”

Royal Caribbean says the new slogan is aimed at “reawakening consumers to the sights and sounds of the sea.”

This is very interesting when in recent years the line has been emphasising its rock climbing walls, ice-skating rinks and various and sundry other onboard attractions, more recently even including Shrek on some of its ships! Now, someone has woken up and noticed that cruise ships sail on the sea. Not only that, but it took not just one, but two advertising agencies to recognise this! But such is progress.

Cunard LineSo this week we have a look at some of the slogans that have been used over the years since cruising started its four-decades-long boom. Perhaps the best ever was Cunard Line’s in the 1950s and 1960s –“Getting There is Half the Fun” really said it all. Later this line metamorphosised into “Ships Have Been Boring Long Enough” but with the former accentuating the positive and the latter the negative we know which wins!

Here are a few more that come to mind:

“The Fun Ships” – in the Miami-based context, this little slogan was first used by Yarmouth Cruise Lines, operating a decrepit pair of 38-year old ex-coastal liners between Miami and the Bahamas – one of which, Yarmouth Castle, was lost to fire in November 1965 with the loss of 87 lives.

Nonetheless, it was enough years later that Bob Dickinson of Carnival Cruise Lines revived “The Fun Ships” in 1973 to replace “The Golden Fleet” that no one remembered the tragedy and the tag line is Carnival’s to this day.
Anyway, the “Golden Fleet” in 1973 had only one ship, Mardi Gras.

Over the years, Carnival has also played with other tag lines, one being “The Most Popular Cruise Line in the World.” Carnival have also used music in its television commercials, as it did in 2005 with Bobby Darrin’s “Somewhere Beyond the Sea,” but why beyond the sea and not on it?

The lyrics begin well however:

Somewhere beyond the sea,
Somewhere, waiting for me,
My lover stands on golden sands
And watches the ships that go sailing

Speaking of love, “The Love Boat” was the name of a well-known American television programme that ran from 1977 to 1986, but it was also used for many years by Princess Cruises as its own tag line. After all, its Los Angeles-based Pacific Princess was used as the backdrop for this series.

It’s now a quarter century since the show was last made, but one thing it stood out for was false hilarity – it was one of the first hour-long American comedy series to use a laugh track. Somewhere along the way it seems that cruises might have started to get boring, however, because Princess for a while ran with the tag line “It’s more than a cruise, it’s the Love Boat.”

To-day, Princess uses the tag line “Escape Completely,” but I must say, like “Get Out There,” this one sounds rather American footballish and reminds me more of trying to escape Alcatraz rather than anything in the least bit romantic.

“Get Out There” – now who did we say wanted to connect with the sea?
This preposterous line – get out where? – was used by Royal Caribbean in North America only and it meant absolutely nothing if not read in context. It might have been the Romans telling the Christians to go and meet the lions. Far too macho, so perhaps “The Sea is Calling. Answer it Royally” will work.

It should catch the female ear better than “Get Out There.”

Royal Caribbean’s new advertising company maintains that the new tag line will cross cultures and be useable internationally – at least it sounds more like an instruction than an admonishment like “Get Out There.”

One tag line that Royal Caribbean used in the 1990s, however, was“The Grand Resorts of the Seven Seas” and one wonders why it dropped it, replacing it for a while with “You’ve Got Some Royal Caribbean Coming.”

“Let Us Exceed Your Expectations” was an early tag line for Celebrity Cruises and one that was befitting of its target, which was an upper premium audience. It reflected the whole reason for having formed Celebrity Cruises in the first place, getting away from the old name of Chandris, one that dated back to Australian emigration days from Europe.

Unfortunately, it’s gone. For a while it was replaced by “A True Departure” (a bit insipid don’t you think?) and now it’s “Designed For You” (sounds a bit like an Audi, but why not?) What was the matter with exceeding expectations? Could it no longer be done? It was a good tag line.

“Cruise Like a Norwegian” – Norwegian Caribbean Lines started as “The White Fleet” but over the years has also tried other slogans, most notably from 1990 with “Freestyle Cruising.”

Okay we all know that Norwegian’s new advertising company would like us to call it Norwegian instead of NCL, but just how does one cruise like a Norwegian? It sounds like a lazy adman’s copy of dance like an Egyptian, and no one really knew what that meant either..

“Signature of Excellence” is the tag line that Holland America uses to-day. Since both words can be translated as “mark” one wonders what the point is when in the early 1990s the same line used “A Tradition of Excellence.” The latter actually sounded more profound and it certainly beat their 1960s slogan “It’s Good to be on a Well-Run Ship.”

One of my favourites, however (tongue in cheek here), is the line Windstar Cruises used for many years, “A Holland America Line company.” Well, at least it wasn’t too vague.

Do you get my drift? Does it really matter?

Why do the cruise lines pay millions for these not so impressive sayings that are only replaced after a few years by paying someone else to come up with another one. They are just clutter and end up like bell-bottomed trousers, paisley ties, mini skirts and lacy blouses – very dated after a while.

But naughtiest of all is Quark Expeditions, who have just scooped up“Up Close and Personal” word for word from the now defunct Cruise West. I suppose they can’t be sued for infringement by a bankrupt company but it sounds awfully risky to me, sort of like tempting the fates.

What is most interesting however is that the more upmarket lines do better – Oceania’s “Your World, Your Way” puts the control with you and Azamara Club Cruises “You’ll Love Where We Take You” not only sounds like good English, but also revives the word love in a different way. Even SeaDream’s “It’s Yachting, not Cruising,” while unfortunately using a negative, has a ring to it that is true.